Composer Steve Reich Says He Has No Use For AI In His Own Music

Published: 10/3/2026

Source: Lunar Boom — What Film Directing Can Teach Us About AI Music

Polish filmmaker Adam Hartwiński is applying cinematic pacing, editing and narrative structure to HARTVINSKY, a dark electronic and deep-house project developed with Suno v6.

The profile presents a useful creative model for AI music makers: treat the generator as production material and the human as the director responsible for taste, selection and emotional continuity.

HARTVINSKY’s 17-track debut album, TWO WORDS, is scheduled for October 16. Hartwiński describes the work as “directing with a different material,” connecting AI song creation to familiar filmmaking decisions about tension, timing and story.

For creators, the practical takeaway is to plan an AI album like a visual sequence. Define the arc first, generate and edit with intent, and judge every track by the role it plays in the larger experience.

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